In black-and-white photographs, the relationships of several teenage girls unfold through after-school hangouts, late-night parties and prom photos in mid-1980s New York. They are Blake and Leslie, two Jens, Zoe and Molly, applying makeup in mirrors, deep in conversation on the subway and shielding their cigarettes from the wind. Fast forward and they have partners and children, the women weaving in and out of each other’s lives like a tangled braid.
Three decades after she began photographing the friends, the photographer Karen Marshall has published the longtime body of work in a new book, “Between Girls.”
But one face is absent just ten months into the series: the exuberant Molly, who welcomed Marshall into their lives and was the connecting thread between many of the young women. What started as a documentation of girlhood transformed into a more complicated story after Molly was hit by a car and killed while on summer vacation in Cape Cod.
“Between Girls” follows a group of girls in 1980s New York over a 30-year period. Credit: Kehrer Verlag
“I wanted to look at the emotional bonding that happens between girls at 16. That was my premise and my intention,” Marshall said in a phone interview of her initial idea. After photographing the group during their junior year, however, she didn’t know how to finish the series. “I hadn’t gotten to that yet. And I was asking that question to myself…in senior year will something be a little different? And then (Molly) died. So that put me down another path.”
Marshall met Molly through a family for whom the teenager babysat for — Marshall was in her 20s at the time and studying at the International Center of Photography (she now chairs the program she attended). Molly and her friends mostly lived on the Upper West Side, came from single-parent households, were “fiercely independent,” Marshall noted, and “had a really good sense of self.”
The body of work shifted after one of the girls, Molly, died — the photographer, Karen Marshall, had only intended on photographing the girls while they were in high school. Credit: ©Karen Marshall from Between Girls
“They were on their own in a lot of ways — there was a sense of insecurity, but there was also a certain base of self-definition and style and sassiness,” she said. In Marshall’s photographs, the girls evoke a sense of youthful freedom. In one image, Molly, Leslie and one of the Jens playfully sprawl out on an apartment floor littered with magazines, a coffee cup and a rotary telephone, their arms stretching nearly to touch in the center like a sunburst.
When Molly died, Marshall said, “it was devastating, and very weird.”
“I really felt profoundly close…to them, and then they’re gone. And I also had lost a friend in high school. So it brought up some of that trauma, too, I suppose,” she explained. It made her think about “the vulnerability of teenagehood,” she added, “where you think you’re invincible and you’re not.”
‘They will always be bound by this marker in their life’
After Molly’s death, Marshall gave the girls space to heal, photographing them less, but by the end of their senior year she wanted to be present for their milestones like prom and graduation. In the years and decades following, up until 2015, she reconnected with them as they grew up and began families of their own, taking photographs and recording videos, too.
“What was interesting is that when when they dispersed (after high school), they actually were much more open to seeing me,” Marshall said. Blake was the first to marry, and in the second half of the book the images shift to the girls, now women, smiling with partners and parenting their kids. In one portrait, one of the Jens is at home, pregnant in a cropped tank top and sweatpants, gazing down at her changing body.
“It’s an honor and it’s fascinating to watch them grow into themselves,” Marshall said. Some stayed in New York while others relocated, becoming a pilates instructor, an executive editor, a stay-at-home mom; a deputy CTO for the White House.
Marshall reconnected with the girls as they aged, getting married and having children. They all reflected on how Molly impacted their lives. Credit: ©Karen Marshall from Between Girls
In “Between Girls” Marshall punctuates the photographs with diary entries, archival images of the girls and pictures of the recording technology as it changed: real-to-reel, Hi8 video and digi cam tapes; DAT audio cassettes; and finally, a thumb drive. Below these images, QR codes link out to the uploaded files.
“They were the only people that I was not scared of showing them who I was, what was important to me….what I needed, what my weaknesses were. I had faith that they would be there for me no matter what,” Leslie is quoted from one recording.
Jen reflected on just how much she had departed from her own upbringing. “I think I would have found it interesting (at 16) to see myself now…being married, with two kids, and doing the stay-at-home mom thing,” she told Marshall. “There weren’t any stay-at-home moms; I cant think of anybody. So I think, I look at Blake and I and it is like the pendulum swung back the other way for us.”
Blake, Griffen and Jen, 2000 Credit: Karen Marshall
As Marshall continued to resurface in their lives, she noticed how emblematic their relationships were of many friendships, where years can pass between meetings, but the sense of familiarity and comfort comes back at once.
“It’s not about time and space; it’s timeless. And as I got older, that kept being solidified,” Marshall said.
Though it’s been more than 30 years since Molly’s death, her presence is imbued in every page of Marshall’s book, as well as the fabric of the women’s lives.
“They will always be bound by this marker in their life, no matter what, and then they’ll always be connected because of me, because I’ve also framed them,” Marshall said. “Not all of them were good friends with each other, but they were all connected.”
A decades-long photography series about girlhood takes a tragic turn