Scientists struggled to make sense of the creatures, and the sculptures were the first attempt to visualize them in true-to-life size. They were depicted like giant, mammal-like beasts, heavy set and four-legged — an already revolutionary idea compared to earlier ones that imagined dinosaurs essentially as huge lizards. But it was just as wrong.
View of the Crystal Palace exhibition with Richard Owen’s fantastical dinosaur reconstructions in the foreground, by the London printer George Baxter. Credit: Wellcome Collection
“It’s the first dinosaur book where the dinosaurs actually look like what they looked like,” claims the author, who worked with paleoartist Bob Nicholls to bring the creatures to life. “Every detail, as far as possible, is justified by evidence. We tried to pick species that are quite well documented, so that in the text, I can indicate what we know and why we know it.”
Paleoartist Bob Nicholls brought the creatures in Benton’s book to life, including on the cover shown here. Credit: Thames & Hudson
“I think we can say that feathers originated way earlier than we had thought, at least 100 million years earlier, so right at the root of dinosaurs,” Benton said.
A skeletal restoration of Hadrosaurus foulkii based on the original in the Philadelphia Academy of Natural Sciences, the first ever museum mount of a dinosaur that was also, correctly, upright. Credit: Smithsonian Institution Archives
The idea that dinosaurs had feathers hasn’t appealed to everyone. Famously, the “Jurassic Park” franchise — which debuted in 1993 before feathery dinosaurs fossils were first discovered — has steadfastly refused to include them in its most recent films.
“They characterize that by saying they don’t want T-Rex to look like a giant chicken. But it’s a pity,” Benton said.
Even more recently, Benton and his team at the University of Bristol in the UK have pioneered a way, by finding pigment structures embedded deep within the fossilized feathers, to identify the color patterns of a dinosaur from fossils. “We were the first to apply this method in 2010, so the book is documenting mainly studies from the last 10 years that looked at the skin, the scales and the feathers in fossils — to get the color.”
That result is shown through illustrations of 15 creatures featured in the book — not just of dinosaurs but also prehistoric birds, mammals and reptiles — adorned with vibrant skin patterns, an abundance of multicolored feathers and some with striking iridescent heads.
Looking at these creatures shows just how much our knowledge of dinosaurs has improved, and how much it can improve still. “A few years ago, I thought we would have never known about the color of a dinosaur, but now we do,” Benton said.
“Don’t draw boundaries, because sooner or later, a smart young person is going to say, ‘Hey, you guys, we can actually solve this one.'”
“Dinosaurs: New Visions of a Lost World” is published by Thames & Hudson.
Add to queue: Dino-mania
If you want to know the entire history of the dinosaurs, look no further than this “dinosaur biography” by one of the world’s leading paleontologists, Steve Brusatte. The book chronicles the 200 million-year history of the dinosaurs, from the Triassic, through the Jurassic and into the Cretaceous, when their rule ended via a mass extinction caused by a comet or asteroid. Narrated like an epic saga that illustrates the modern workings of paleontology, it draws on very recent research.
This classic documentary series, produced by the venerable BBC Natural History Unit and aired by Discovery in the US, had the distinction of being the most expensive documentary ever made when it launched in 1999. It won three Emmys, spawned two sequels and portrayed dinosaurs in their natural habitats — in true documentary style — using a mix of computer graphics and animatronics. It was cutting edge for its time and still holds plenty of entertainment and educational value, although some of the science is now outdated.
This mix between palaeontology and political drama is woven throughout the story of Sue, the largest and most complete T. rex skeleton ever found. After being unearthed in South Dakota in 1990, the fossil became the center of a years-long legal battle over its ownership, illustrating the rifts that can arise between palaeontologists, fossil collectors and governments that own the land on which the fossils are found. Spoiler alert: Sue is now on display at Chicago’s Field Museum of Natural History.
The go-to podcast for dinosaur lovers, “I Know Dino” is run by Garret Kruger and Sabrina Ricci, a husband-and-wife team of dino enthusiasts. Each hour-long episode focuses on one species, which is discussed and explored in detail with the help of guests. The podcast, which began in 2016, is now approaching 400 episodes.
This Steven Spielberg classic is still the popular culture reference point for dinosaurs. It was the first film to portray them as smart, dynamic and fast-moving creatures. (Who could forget the famous scene with T. rex fighting Velociraptors?) Though it was made nearly 30 years ago, the film’s CGI still holds up to scrutiny. Scientific accuracy has waned over the years, but it’s still an entertaining film to watch, with milestone performances from Laura Dern, Sam Neill and Jeff Goldblum.
Top Image: Reconstruction of a Psittacosaurus, an illustration that appears in the book “Dinosaurs: New Visions of a Lost World.” One fossil find for this creature contained preserved soft tissue, including skin and an array of reed-like feathers on top of the tail.
Vibrant skin patterns and colored feathers: Stunning paleoart shows what dinosaurs really looked like